Stuart Little 2 Movie Counter
- Stuart Little 2 is a Adventure, Animation, Comedy, Family film released in 2002 and directed by Rob Minkoff with a runtime of 78 minutes. The star actors of Stuart Little 2 are Anna Hoelck, Ashley Hoelck, Geena Davis, Hugh Laurie, James Woods, Jonathan Lipnicki, Melanie Griffith, Michael J. Fox, Nathan Lane, Steve Zahn.
- Stuart’s mother is being over-protective of him, especially when he narrowly escapes injury in a soccer game. His big brother George has also made a new friend, Will, so Stuart is feeing lonely. Stuart rescues a canary, Margalo, from a falcon; she moves in with the Littles.
- Stuart Little 2 (1,254) IMDb 5.5 77 min 2002 PG Subtitles and Closed Captions This time, Stuart must journey through the city with reluctant Snowbell (Nathan Lane) to rescue a new friend, Margalo (Melanie Griffith), from a villainous Falcon (James Woods).
- Stuart Little 2: Stuart, an adorable white mouse, still lives happily with his adoptive family, the Littles, on the east side of Manhattan’s Central Park. More crazy mouse adventures are in store as Stuart, his human brother, George, and their mischievous cat, Snowbell, set out to rescue a friend.
Jul 19, 2002 'Stuart Little 2' is not indifferent to the problems involved, not least the compositional problems faced by Steve Poster, its cinematographer, in framing both the 6-foot Davis and the 2-inch Stuart in the same shot.
9 months agoOn this post, I will focus on Sony Pictures/Columbia Pictures, the studio people want dead because they own Spider-Man and not Marvel. Besides Spider-Man, this studio is most well known for Terminator 2: Judgement Day, Men in Black, Hancock, 2012, the Daniel Craig 007 Films (Casino Royale, Quantum of Solace, Skyfall, and Spectre), and Jumanji: Welcome to the Jungle.
Before we start, I want to say something, and I might get downvoted for this.
People when Paramount Pictures’ 2017 slate critically and commercially flops (every single one of them was rated poorly: Monster Trucks, xXx: The Return of Xander Cage, Rings, Ghost in the Shell, Baywatch, Transformers: The Last Knight, Mother!, Suburbicon, Daddy’s Home 2, and Downsizing): I hope Paramount Pictures improves as a studio. But hey, with new management, Paramount will turn things around in no time.
People when Sony Pictures’ Venom gets negative reviews from critics: FUCK YOU SONY! STOP MAKING SPIDER-MAN FILMS! PACK YOUR BAGS! SELL THE SPIDER-MAN RIGHTS TO MARVEL! GO ROT IN HELL! YOU PEOPLE ARE INCOMPETENT! Oh by the way, Spider-Man: Into the Spider-Verse looks great, Sony. I also can’t wait for Spider-Man: Far From Home which is an MCU film (as they forget that Sony has final creative control and distributes the film). Anyways, FUCK YOU, SONY! I WISH YOUR MOVIES WOULD FLOP SO YOU CAN SELL YOUR MOVIE DIVISION! YOU CAN’T MAKE SPIDER-MAN MOVIES ANYMORE! (Screeching Intensifies)
It’s a good time to be a Spider-Man/Sony fan and a bad time to be a Sony hater. I’m not saying Paramount Pictures deserves to get blasted on, but Sony getting blasted constantly is somewhat unjustified to me. Of course, you may not like the direction the Spider-Man franchise had been going with Sony (then again Into the Spider-Verse says hi), but people are judging some films negatively because it’s a Sony film. Or some people just look at the new Spider-Man movies, Ghostbusters (2016), the Emoji Movie, and Venom’s reviews, and say that the whole studio sucks because of that. I’m sure some people have other reasons, but I don’t get how Sony is a reason why a movie is bad. It’s just a film studio. They’ve made bad movies, but so have 20th Century Fox, Universal, Paramount, Warner Bros, and Disney. They’ve made good movies too. I’ll show you some down below.
1924-1976: The Beginning and Before the 80s
In 1918, Harry Cohn, Jack Cohn, and Joe Brandt founded Cohn-Brandt-Cohn (CBC) Film Sales. In order to improve the brand name, the company was renamed to Columbia Pictures Corporation on January 10, 1924. Columbia’s films were mostly moderately budgeted comedies, sports films, serials, and cartoons. As time went on Columbia would start making high budget films and join United Artists and Universal Pictures to become the “Little Three” in the Golden Age of Hollywood. Unlike the five major film studios in the Golden Age, RKO Radio Pictures, Metro-Goldwyn-Mayer, 20th Century Fox, Paramount Pictures, and Warner Bros Pictures, Columbia didn’t own any theaters. However, Columbia’s rise to become a major film studio was due to the ambitious director, Frank Capra, with movies like It Happened One Night, Lost Horizon, and Mr. Smith Goes to Washington, which made James Stewart a star. Columbia couldn’t afford to have a large amount of contract stars to the point where they would borrow stars from other studios. MGM would send some of their stars to Columbia to punish them if they weren’t obedient. After Harry Cohn’s death in February 1958, Columbia started to decline with multiple box office failures to the point where they could possibly go bankrupt. Fortunately in 1972, the studio was saved with an drastic overhaul in management and a deal with Warner Bros to share the WB studio lot. Some Columbia hits include Lawrence of Arabia, Dr. Strangelove, and Taxi Driver. Notable Columbia Pictures films: Discontented Husbands, It Happened One Night, Lawrence of Arabia, Dr. Strangelove, and Taxi Driver
1977-1983: Close Encounters of the Third Kind Era
On November 1977, Close Encounters of the Third Kind, a sci-fi film directed by Steven Spielberg, became a major success for Columbia Pictures and was their highest grossing film at the time (making $307M worldwide). In 1982, Columbia Pictures was bought out by Coca-Cola, the company behind the soda. Tri-Star Pictures was also created around this time, while Columbia expanded its television franchise. Major hits for the studio include Kramer vs. Kramer, The Blue Lagoon, Stripes, Stir Crazy, Tootsie, and The Big Chill. Notable Columbia Pictures films: Close Encounters of the Third Kind, Kramer vs. Kramer, Stripes, Stir Crazy, and Tootsie
Notable Columbia Pictures film that bombed: Krull
Stuart Little Movie Download
1984-1989: Ghostbusters/The Karate Kid/Rambo Era
On June 1984, two Columbia Pictures movies would be the biggest movies and the most well known films in Columbia’s library: Ghostbusters (making $295M worldwide) and The Karate Kid (making $91M in the US). Ghostbusters would receive a sequel in the form of Ghostbusters II, while The Karate Kid would become a trilogy. On the TriStar side, they had received Rambo: First Blood Part II and Rambo III, which would be a major success for the studio. Rambo: First Blood Part II was the highest grossing Columbia/TriStar film in this era, making $300M worldwide. Other hits include Stand By Me, Look Who’s Talking, Peggy Sue Got Married, and When Harry Met Sally… This success would catch the eyes of a fellow Japanese multinational conglomerate that would buy them in 1989. Notable Columbia/Tristar Pictures films: Ghostbusters 1 and 2, The Karate Kid Trilogy, Rambo: First Blood Part II and Rambo III, When Harry Met Sally…, and Look Who’s Talking
Notable Columbia Pictures films that bombed: Ishtar and The Adventures of Baron Munchausen
1990-1996: Early Sony Era
On 1989, Sony bought Columbia Pictures for $3.4B. Did Sony buy the best studio at the time? Probably not, but I don’t know if they could’ve bought a different studio (20th Century Fox was owned by News Corporation, Warner Bros was probably too successful to be bought, and Disney would never give in to another corporation). The three studios I could see Sony buying instead of Columbia are MGM/UA, Universal, or Paramount, though I’m leaning towards Paramount more. Imagine complaining about the new Star Trek movie or Transformers movie being ruined by “Sony”. But honestly, this wasn’t a bad buy for Sony as they would keep their film division to this day. In the long term. As for short term, well, something was off. In 1994, Sony took a $2.7B write-off. It seems like it took less time for Sony to make a successful video game console (PlayStation) than it took for Sony to make Columbia Pictures an actual worthy investment. Most of the hits came from TriStar and not from Columbia Pictures with movies like Hook, Basic Instinct, Cliffhanger, Sleepless in Seattle, Philadelphia, Jumanji, and the highest grossing film for TriStar at the time, Terminator 2: Judgement Day (making $521M worldwide). On the Columbia side of things, the biggest franchise they had was probably City Slickers, but it wasn’t much compared to Ghostbusters, The Karate Kid, and Rambo in the 80s. They did have some other hits like Total Recall, Flatliners, Misery, Boyz N the Hood, The Prince of Tides, A League of Their Own, Bram Stoker’s Dracula, A Few Good Men, Groundhog Day, In the Line of Fire, Bad Boys, The Cable Guy, and the highest grossing Columbia Pictures film in this era, Jerry Maguire (making $274M worldwide). Notable Sony/Columbia Pictures films: Total Recall (1990), Terminator 2: Judgement Day, Hook, City Slickers, Basic Instinct, and Jumanji
Notable Sony/Columbia Pictures film that bombed: Hudson Hawk
1997-2001: Men In Black Era
De vanger in het graan 12:53 Pagina 9. Stond en ni et beneden bij de wedstrijd, was dat ik net met de schermploeg terug was uit New York. Ik was dus de manager van die kloteschermploeg. Dat stel-de zogenaamd ontzettend veel voor. We waren die morgen naar New York gegaan voor een wedstrijd. De vanger in het graan J.D. Salinger De verteller van deze onsterfelijke coming of age-roman is Holden Caulfield, die model stond voor talloze verhalen waarin adolescenten worstelen met thema’s als vervreemding van de wereld van volwassenen en het verlies van onschuld. De vanger in het graan pdf.
The last challenge dvd. Hair stylist. Makeup artist Production Management.
Fortunately in 1996, Amy Pascal and Chris Lee was brought in to become the president of Columbia and TriStar, respectively. On 1997, Sony Pictures was ranked as the highest grossing film studio in the US, making $1.26B with movies like The Fifth Element, My Best Friend’s Wedding, Air Force One, As Good As It Gets, and the highest grossing Sony film in this era, Men In Black (making $251M in the US and $589M Worldwide). Other hits from Sony in this era include Godzilla, The Mask of Zorro, Stepmom, Big Daddy, Stuart Little, The Patriot, Charlie’s Angels, America’s Sweethearts, and Black Hawk Down. After their success in 1997, they weren’t able to replicate their success and fell behind the other major film studios. In 2000, they were in 7th place behind every major film studio plus Dreamworks SKG, making $682M that year. In 2001, they were in 6th place behind every major film studio, making $729M that year. Fortunately for Sony, they had gotten their hands on the most iconic Marvel superhero with plans to make a live action movie of this character. And this character made a major impact on Sony Pictures. Notable Sony/Columbia Pictures films: The Fifth Element, Men In Black, Air Force One, Stuart Little, and Charlie’s Angels
Notable Sony/Columbia Pictures film that bombed: Ali and Final Fantasy: The Spirits Within
2002-2007: Spider-Man Era
While Paramount’s 90th anniversary in 2002 didn’t end well, Columbia Pictures’ 78th anniversary was amazing. Not only was this year the best year since 1997, Sony was able to have the largest market share and make $1.5B in the US, surpassing 1997 with movies like Panic Room, Mr. Deeds, Men In Black II, xXx, Maid in Manhattan, and Sony’s highest grossing film at the time, Spider-Man (making $404M in the US and $822M worldwide) Spider-Man would be the highest grossing Sony film domestically until 2018. In 2004, Sony had the largest market share again and made $1.2B in the US with movies like 50 First Dates, White Chicks, The Grudge, Christmas with the Kranks, and of course, Spider-Man 2. In 2005, Sony led a consortium that purchased MGM, giving Sony the distribution rights to the James Bond franchise. In 2006, Sony would have the largest market share for the third time this era and made $1.7B in the US, surpassing 2002 with movies like The Da Vinci Code, Click, Talladega Nights: The Ballad of Ricky Bobby, Open Season, Casino Royale, and The Pursuit of Happyness, showing that Sony doesn’t need Men In Black or Spider-Man to make $1B in the US. This didn’t happen with the odd-numbered years, as Sony was 2nd in 2003 (making $1.2B that year), 5th place in 2005 (making $918M that year), and 4th place in 2007 (making $1.2B that year, even with the release of Spider-Man 3) Around this time, Sony were able to keep two actors around to make most of their films under Sony: Adam Sandler with Mr. Deeds, Anger Management, 50 First Dates, and Click and Will Smith with Men in Black II, Bad Boys II, Hitch, and The Pursuit of Happyness. Spider-Man was clearly the biggest franchise for Sony in this era and has been the biggest franchise for Sony since. Sony had other small franchises that were profitable like Resident Evil and Underworld. Other hits from Sony include Daddy Day Care, Charlie’s Angels: Full Throttle, S.W.A.T., Superbad, and Spider-Man 3, which would become the highest grossing Sony film at the time, making $890M worldwide despite mixed reviews. Notable Sony/Columbia Pictures films: Spider-Man Trilogy, Men In Black II, Hitch, The Da Vinci Code, and Casino Royale
Notable Sony/Columbia Pictures films that bombed: Stuart Little 2, Gigli, xXx: State of the Union, Stealth, and Zoom
2008-2012: The James Bond Era
Now with the Spider-Man franchise mostly absent this era besides the Amazing Spider-Man, Sony mostly depended on Adam Sandler, Will Smith, and the James Bond franchise to be successful. I’ve noticed that other than that, Sony doesn’t heavily depend on multiple successful franchises compared to the other major film studios. They actually profited off of many original films in the previous era and this era. James Bond was still going strong with Quantum of Solace and reached to franchise and studio records with Skyfall, becoming James Bond and Sony’s highest grossing film and Sony’s only billion dollar film to this date, making $1.1B worldwide. Adam Sandler had hits with movies under Happy Madison like You Don’t Mess With Zohan, Paul Blart: Mall Cop, Grown Ups, Just Go With It, and Zookeeper. Will Smith had hits with movies like Hancock, The Karate Kid (as Producer), and Men In Black 3. They were 5th in 2010 and 3rd in 2008, 2009, and 2011. The only time they had the largest market share this era was in 2012, making $1.8B in the US, surpassing 2006 with movies like The Vow, 21 Jump Street, Men In Black 3, The Amazing Spider-Man, Hotel Transylvania, Skyfall, and Zero Dark Thirty. Other hits for Sony include Step Brothers, Pineapple Express, Angels and Demons, District 9, Cloudy with a Chance of Meatballs, Zombieland, 2012, Salt, The Other Guys, The Social Network, The Green Hornet, Battle: Los Angeles, The Smurfs, Bad Teacher, Moneyball, and The Girl with the Dragon Tattoo. Notable Sony/Columbia Pictures films: 007 James Bond (Quantum of Solace and Skyfall), Hancock, 2012, The Karate Kid, The Amazing Spider-Man, and Men In Black 3
Notable Sony/Columbia Pictures films that bombed: Year One, The Pink Panther 2, How Do You Know, Jack and Jill, That’s My Boy, and Total Recall (2012)
2013-2016: The Amazing Spider-Man 2/Sony Hack/The Decline Era
After 2012, it seems like Sony was slowly declining. Sony didn’t have a stable franchise, though was still doing better than Paramount. The Amazing Spider-Man 2 was supposed to set up a whole cinematic universe on Andrew Garfield’s Spider-Man, but underperformed and the sequels were cancelled in favor of a deal struck with Marvel Studios to bring Spider-Man to the Marvel Cinematic Universe. Spectre did well as a James Bond film, but was the last James Bond film Sony would be able to distribute. Adam Sandler and Will Smith movies weren’t doing as well as before and pretty much stopped making films for Sony at the end of this era. Ghostbusters was rebooted, but infamously underperformed. They were 4th in 2013 and 2014 and 5th in 2015 and 2016 (making slightly less than $1B in the US), just above Paramount Pictures. Some other hits are This is the End, Grown Ups 2, Elysium, Cloudy with a Chance of Meatballs 2, Captain Phillips, American Hustle, 22 Jump Street, The Equalizer, Hotel Transylvania 2, The Angry Birds Movie, Sausage Party, Don’t Breathe, The Magnificent Seven, and Passengers. In late 2016, Sony took a $962M write down, with rumors starting that Sony would sell off their movie division sometime in 2017 if their 2017 lineup didn’t do so well. This most likely wasn’t true, and 2017 fortunately proves the studio’s worth. Notable Sony/Columbia Pictures films: Captain Phillips, American Hustle, The Amazing Spider-Man 2, 22 Jump Street, Hotel Transylvania 2, and Spectre
Notable Sony/Columbia Pictures films that bombed: After Earth, White House Down, Aloha, Pixels, Grimsby, and Ghostbusters (2016)
2017-Present: Spider-Man/Jumanji Era (Comeback Era?)
In the first half of 2017, it wasn’t looking too good for Sony. Resident Evil: The Final Chapter did fine, especially in China. Life and Rough Night were only modest successes for the studio. Smurfs: The Lost Village was an attempt to reboot the Smurfs but underperformed, making slightly less than $200M. However, things started to turn around with three summer movies: Baby Driver, Spider-Man: Homecoming, and the Emoji Movie. Baby Driver was a surprise success for Sony and for director Edgar Wright. Spider-Man was shared between Marvel and Sony, which led to everyone wanting to see Spider-Man’s first solo film (+Iron Man) with Marvel Studios, making $880M worldwide, just $10M behind Spider-Man 3. The Emoji Movie was made fun of by everyone, even though enough people went to make this film $218M worldwide. The Dark Tower did alright, but probably not enough to warrant a sequel. It seems like Sony did alright, but then December 2017 came. Sony decided to release Jumanji: Welcome to the Jungle near Star Wars: The Last Jedi as counter programming (what a moron, am I right? /s). With the movie having a surprisingly strong word of mouth, it topped Star Wars: The Last Jedi in the first few weeks of 2018. Jumanji: Welcome to the Jungle would later go on to make $405M in the US, surpassing Spider-Man to be the highest grossing Sony film in the US and would make $962M worldwide, just a notch below $1B. I had a feeling that $405M made in the US was what Sony was expecting the movie to make worldwide. In 2018, Sony’s success continued on with hits like Peter Rabbit, Hotel Transylvania 3: Summer Vacation, The Equalizer 2, and the biggest surprise of 2018 for Sony that isn’t Jumanji, Venom, making at least $212M in the US and at least $823M worldwide. Sony was also able to keep the budgets low and have low budget films like Sicario: Day of the Soldado, Goosebumps 2: Haunted Halloween, and Searching make a decent amount of profit. It may seem like Sony is making a comeback, especially with Spider-Man: Into the Spider-Verse being well received and being at least moderately successful (though only time will tell). Notable Sony/Columbia Pictures films: Baby Driver, Spider-Man Homecoming (and Into the Spider-Verse), Jumanji: Welcome to the Jungle, Hotel Transylvania 3: Summer Vacation, and Venom
2019 is next year, and it’s time to look at what Sony has in-store for everyone next year. I’ll try to keep it short (with a basic description of each one if necessary and how well it might do). The numbers I have won’t be accurate, so take it with a grain of salt.
Little Stuart Movie
Escape Room - it’s a psychological thriller film directed by Adam Robitel. If it has a low budget, I think this could be moderately successful while adapting the escape room idea into film. I’d say $50M Domestic and $70M Worldwide.
A Dog’s Way Home - it’s a family drama film directed by Charles Martin Smith. I don’t get how A Dog’s Purpose is at Universal while this movie is at Sony. Did Universal not buy the rights to every single A Dog book or what? This will probably make less than A Dog’s Purpose with $50M Domestic and $180M Worldwide. But at least it comes out before A Dog’s Journey, another movie based on the A Dog franchise. A Dog’s Way Home will probably make more than A Dog’s Journey based on this movie coming first.
Miss Bala - it’s an American-Mexican action thriller directed by Catherine Hardwicke and is a remake of the 2011 Mexican film of the same name. I don’t know what to compare this too. There isn’t any numbers on how much the original did either, so I have to make guesses. I’d say $50M Domestic and $100M Worldwide.
Greyhound - it’s a war film directed by Aaron Schneider and starring Tom Hanks in another World War II movie. No footage has been released, but it could make $100M Domestic and $300M Worldwide with the right marketing and a good movie like Saving Private Ryan.
The Intruder - it’s a psychological thriller directed by Deon Taylor. This could do almost as well as Don’t Breathe, but I still don’t get why the former owner of the mansion sold his house (if you see the trailer). $70M Domestic and $100M Worldwide.
The Rosie Project - it’s a film directed by Ben Taylor. Not much is known unless you read the book. Besides Crazy Rich Asians, there hasn’t been much romantic comedies. I guess this can be compared with Overboard (2018), meaning this movie could do $50M Domestic and $70M Worldwide
BrightBurn - it’s a horror film directed by David Yarovesky with James Gunn producing the film. This could break out, even in the late May slot. Then again, not much is known about this film. Maybe $80M Domestic and $120M Worldwide?
Men In Black International - it’s a science fiction action comedy film directed by F. Gary Gray and is a spinoff of the Men in Black trilogy. What makes this a spinoff is that this is a London based team instead of New York. And hey, Chris Hemsworth is another Sony franchise that Sony is trying to make relevant. But I think it could succeed this time, unlike Ghostbusters (2016). I could see this doing at least $160M Domestic, though it could go as high as $240M Domestic with a strong word of mouth, similar to how well Jumanji unexpectedly did. As for Worldwide, I’d say $450M, but it could go as high as $600M.
Grudge - it’s a supernatural psychological horror film directed by Nicolas Pesce and is a remake of The Grudge (2004) which was also a remake based on a Japanese horror film. It probably won’t be as successful as the 2004 remake as this 2019 remake is a similar premise and no one is really demanding it. I could see this doing $100M domestic and $160M worldwide at most.
Spider-Man: Far From Home - it’s a superhero film directed by Jon Watts and is part of the Marvel Cinematic Universe. I could see this going two ways. One way is that this will make $900M and the domestic total will drop from Homecoming (maybe $320M). However, this could possibly be the second Sony film after Skyfall to gross $1B. The only two obstacles are The Lion King movie which comes out two weeks later (it’s like Disney is trying to prevent Sony from being a major competitor for Disney in the movie industry like how Universal and Warner Bros currently are to Disney while Fox is taken care of and Paramount is trying to pick themselves up) and the plot is pretty much Hotel Transylvania 3: Summer Vacation.
Wish Dragon - it’s a 3D computer-animated film from Sony Pictures Animation. Not much is known about this film besides Jackie Chan being involved and it having a Chinese theme. It’s set to release on the same day as Once Upon A Time in Hollywood, but I have a feeling it could be moved to late 2019 or even 2020. Maybe this could make $80M Domestic and $200M Worldwide? I don’t know. I need more footage.
Once Upon A Time In Hollywood - it’s a mystery crime film directed by Quentin Tarantino. I could see this being similar in success to Inglourious Basterds or Django Unchained as this film seems like a wider release with a lot more marketing compared to The Hateful Eight. I could see this doing $150M Domestic and $400M Worldwide at most.
The Angry Birds Movie 2 - it’s a 3D computer-animated action comedy film from Rovio Animation and is the sequel to The Angry Birds Movie. Reception to the first one has been mixed, so I think it could go as low as $90M Domestic and $300M worldwide, or it could go as high as $120M Domestic and $400M worldwide.
Zombieland Too - it’s a post-apocalyptic zombie comedy film directed by Ruben Fleischer and is the sequel to Zombieland. This will be another franchise Ruben Fleischer is working on with Sony besides Venom. I could see this making more than the first one with a $90M Domestic and $120M Worldwide.
You Are My Friend - it’s a drama film directed by Marielle Heller. Not much is known besides the fact that it’s about a journalist who runs into Fred Rogers and has his life changed. Unlike Won’t You Be My Neighbor?, another film about Fred Rogers, this film has Tom Hanks portraying Fred Rogers. With a wide release (if it does get one), I could see this making $40M Domestic.
Charlie’s Angels (2019) - it’s an action comedy film directed by Elizabeth Banks and is a reboot of the Charlie’s Angels franchise. If this film goes the Ghostbusters 2016 route, I could only see this make $70M Domestic and $120M Worldwide. If not (hopefully), I could see this making as much as $140M Domestic and $260M Worldwide.
Masters of the Universe - it’s a He-Man film directed by Aaron and Adam Nee. It’s supposed to come out the same day as Jumanji 3, but I think it could be moved to 2020 (but I’ll still analyze anyways). This is a wildcard and a gamble for Sony. It could go both ways, but I think I need more footage to fully judge. $40M Domestic, $90M Worldwide?
Jumanji 3 - it’s a fantasy adventure comedy film directed by Jake Kasdan and is the sequel to Jumanji: Welcome to the Jungle, and the movie that made Disney move Jungle Cruise to July 2020. Like Spider-Man: Far From Home, it could go both ways. It could drop from the second, especially if Star Wars: Episode IX gets people to care about Star Wars, by making as much as $380M Domestic and $800M Worldwide. It will still do well as counter-programming, but maybe not as well as Jumanji: Welcome to the Jungle. Another way this could take is that everyone lost hope in Star Wars: Episode IX, and the people who didn’t see Jumanji: Welcome to the Jungle and saw Star Wars: The Last Jedi and hated it will go see Jumanji 3 instead. It’s possible that Jumanji 3 could be the second after Skyfall or the third after Skyfall and Spider-Man: Far From Home to cross $1B worldwide as a Sony film. This movie could also get a sequel boost with this making as much as $420M domestic, possibly becoming Sony’s highest grossing film domestically and passing Jumanji: Welcome to the Jungle. I’d say it could go down domestically, but it has the potential to reach $1B worldwide.
Little Women - it’s a drama film directed by Greta Gerwig and is based on the book of the same name. Columbia Pictures did a film based on Little Women back in 1994 and that was a success. I’d say it could go up from here. I’d say $60M Domestic and $80M Worldwide.
Thoughts on the 2019 Slate: Besides not having Ghostbusters, Robert Langdon, or The Karate Kid on their side this year (Well, there’s Cobra Kai, I guess), I think Sony is going all out next year. This is probably one of the best lineups for 2019. There’s Angry Birds, Men in Black, Jumanji, Charlie’s Angels, and Spider-Man on the same year, along with possible smaller hits like Grudge and Little Women. They won’t be going against Paramount anymore, they can now go against Universal, Warner Bros, and possibly Disney.
The Future: Regardless of what happens, I’m sure Columbia Pictures will live to see its 100th anniversary in 2024. Sony Pictures Animation will stay strong with a Peter Rabbit sequel, a Spider-Man: Into the Spider-Verse sequel, and a spinoff (though I don’t expect the Into the Spider-Verse movies to come out until 2021). Other upcoming Sony Pictures Animation films are The Mitchells vs. the Machines and Vivo. With the success of Venom, the Sony’s Universe of Marvel Characters will continue in 2020 with possibly Morbius and Venom 2. Even with the success of Venom, I doubt Sony would pull Spider-Man out of the biggest franchise ever after Far From Home. Bad Boys is coming back as Bad Boys for Life. Sony is getting more superheroes, this time from Valiant Comics starting with Bloodshot. Sony could start new franchises from video game adaptations like Watch Dogs and Uncharted (with Tom Holland as a young Nathan Drake). It seems like Sony is making a comeback, whether you like it or not.
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